Nomination Celebration

If you’ve seen me on Home Made Simple, you know how emotional I can get. The families and friends that come on the show make an impact on me and I’ve grown quite fond of the amazing cast I’ve worked with over the last several years.

Just yesterday, I found out that Home Made Simple was nominated for a daytime Emmy award for outstanding lifestyle program. How awesome is that? I got pretty emotional just thinking about the last few years on the show and what it means to me.

The people I work with, and those I’ve met in the making of the show, have helped to make this all possible. I am ever so grateful and loved filming this season so do me a favor, if you would. Please tune into the show when it airs on Saturday mornings (9am on OWN) and follow me on Twitter. I’ll be using the #HomeMadeSimple hashtag as I tweet during the episodes and join in the conversation.

The Daytime Emmy awards ceremony is not until June, so we’ll find out then if we’ve won.

A new project that I’m really excited about, F.A.D. Weekly, has recently launched in beta mode. Here is Edition #3. Please check out the video and then subscribe, like, tweet, and forward the link, that would be so cool of you. Thanks!

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From the elite to the emerging, F.A.D weekly aims to bring you cut through creatives from around the globe. Amy Devers travels to Brooklyn via Seattle where she discovers a hand-crafted version of global success and inspiration. Meet CMR TYZ. Ty Zizkis and Carlos M Ruiz are a talented duo with a far reaching cult following for their lo-fi aesthetic and analog design. From their global HQ in a share house in bohemian Ballard, collaboration meets music, art and fashion.

CLICK here or on the image below to watch this weeks lead story.

CLICK on the image above to join Amy Devers on a creative exploration from coast to coast USA.

With clients from Fleet Foxes to Spank Rock, these Seattle collectives have hand crafted T’s, trainers, leggings and tank tops for a market from Brooklyn to Japan and beyond. Fashion forward individuals and collectors alike rapidly snap up editions such as these, making them hot property for those in the know. Watch F.A.D. weekly for an introduction to the emerging designers behind some of the world’s coolest made to order fashions.

Watching the world for stories the world wants to watch!

Whilst F.A.D. weekly is in the midst of beta, our highly skilled and connected team of global curators have their fingers on the hottest pulses in the most creative places. Next week we might just let you know who they are . . . Please keep watching, forward to your friends, like us on facebook and help us turn this ground swell into a global portal for communicating creativity.

Thank you for watching,

Dan Trotter

amy devers

art & design
Detroit’s Jack of All Trades

June 7, 2012

Amy Devers takes jack-of-all-trades to a whole new level.  A furniture maker, designer, artist and carpenter, she hosted Ovation’s Designer People, promotes sustainable living ideas on the web series Urban Eco, and  judges international furniture design competitions. In short, her resume is insane. But first and foremost, she is a Detroit native, and we sat down with Amy to get her opinions on her hometown and its influence on her artistic career.

Growing up in Detroit, what influenced your career as an artist?

Even though I wasn’t conscious of it at the time, the auto industry really seeped in.  The language of the automobile speaks to so many aspects of modern life.  It is the vernacular of forward momentum, a continuing cycle of new growth and shedding of decay.  I’ve found myself creating furniture and interactive sculpture from salvaged auto parts, like a love seat made from a bench seat scavenged from a 1971 Ford Hornet.

What’s your favorite Detroit museum or place to visit?

The Diego Rivera courtyard at the Detroit Institute of Arts.  There are a series of murals about the Detroit auto industry that are phenomenal. They carved quite an impression into my brain.

What is the biggest misconception about Detroit?

People see Detroit as a bleak, industrial town, but that couldn’t be further from the truth. Even in hard times, the people have such amazing soul and pride.  It’s like the town trains its people in the art of making something out of nothing, and it gives us a scrappiness. When I think of the enormous sculpture of Joe Louis’ fist to the elbow hanging as a pendulum, it is a visually powerful emblem of that attitude.  Detroit fosters a hardscrabble creativity among the people that is conducive to breaking boundaries.

What are your thoughts on Detroit’s growing art scene?

It’s not new that artists often flock to cheap neighborhoods.  But what is exciting is that with the economic downturn, the city of Detroit embraced this growth.  They didn’t legislate it or try to control it.  Instead they have recognized what a beautiful thing is happening and fully embraced this cultural growth.  They let it be an organic thing, and it has created a great co-mingling of artists from all over.

Check out more of Amy’s work and musings on her website, or follow her on twitter.

For more on the current surge of the arts in Detroit, check out Motor City RisingOvation‘s original series chronicling the artistic revolution to take back Detroit!  Airing Fridays at 10pm ET, only on Ovation.

Claudia Maittlen-Harris is a writer and comedian based in Los Angeles. She is the co-creator of the how-not-to dating/relationship blog, The Zeros Before the One.

Images: Courtesty of Amy Devers

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What You Make of It

Pull Up a Chair, Then Fix It

Robert Wright for The New York Times

Sadé Hooks laces a chair. More Photos »

Published: May 23, 2012

IT’S hard not to get swept up in the excitement of Design Week in New York, when the newest home furnishings are introduced at the International Contemporary Furniture Fair, and related events happen all over town.


But what about all the old furnishings: those forlorn, broken-down pieces that are forgotten, cast off and kicked to the curb, seemingly destined for the landfill?

Not everyone, it turns out, has left them for dead.

Last Saturday, as part of a conference called MakeShift, Natalie Chanin, the founder of the fashion label Alabama Chanin, held a workshop to rehabilitate some of these castoffs at Partners & Spade on Bond Street. The event, which she called Crafting Design, was dedicated to resurrecting the bent, twisted and broken remnants of what the poet David McFadden has described as “the most ubiquitous and important design element in the domestic environment”: the chair.

But with New York’s bed bug scare still going strong, finding enough eligible chairs (more than 20, so that every participant would have at least one to work on) was more challenging than anyone anticipated.

Organizers finally decided that while steel and plastic chairs found on the street were fair game, wooden chairs were too risky, and only those found online were accepted as candidates for rehabilitation. Still, by the morning of the event there was a good-size pile for attendees to pick through outside Partners & Spade.

Amy Devers and Tanya Aguiñiga, Los Angeles-based designers who were in New York for the fair, each found a chair within minutes.

“We do this for a living,” said Ms. Aguiñiga, who specializes in furniture and jewelry design. “We know what we like when we see it.”

Inside, hammers, drills, nails and sandpaper were artfully laid out for participants’ use. The 20 or so people who showed up were given only one instruction: that there were no instructions. Even so, seasoned designers like Ms. Aguiñiga and Ms. Devers and several experienced craftsmen were on hand to offer help and advice.

Cathy Bailey, an owner of Heath Ceramics, grabbed a drill and a plastic knockoff Eames chair and calmly set to work on it, weaving a zigzag pattern into the plastic seat using colorful scraps of T-shirt material provided by Ms. Chanin’s studio.

Ms. Aguiñiga quickly dismantled the weathered seat of her wooden chair. Then she grabbed a handful of T-shirt strips and began weaving them through the back of the chair, creating a soft multicolored backrest. For the seat, she used thin rope to provide structural support and then applied a layer of navy-blue T-shirt material on top.

Ms. Devers, a furniture designer and the star of “Fix This Yard” on A&E, was hammering nails into the seat and back of her old Ikea chair, piling T-shirt scraps on top and carefully threading them through the nail bedding, so that the material began to take on the appearance of a colorful shag rug. One lone, loose piece from the back was left to dangle gracefully to the ground.

Soon, two hours had passed, and it was time to assess the results. All the castoff chairs had been restored to life, and some could have held their own at the furniture fair.

But that was not their destiny. Instead, it was decided that they should be returned to the streets where they came from, to pass on inspiration to whomever found them.

And so, at the end of the day, they were back on the sidewalk. Several of them sat on a corner in Chinatown, beside a pile of trash, where curious passers-by could peruse them.

Perhaps some lucky person took them home.

A version of this article appeared in print on May 24, 2012, on page D6 of the New York edition with the headline: Pull Up a Chair, Then Fix It.

Read the article at

I had an amazing time at ICFF and Design Week in NYC. I even managed to get in some hot, hands-on, DIY chair action. Check it out… (click here for the full article)

“…With some serious star-studded attendees including Los Angeles-based designers Amy Devers and Tanya Aguiniga, the affair produced some gems that would have been the highlights at any of the many galleries putting their best feet forward during design week.

Amy & Tanya

Amy Devers (left) and Tanya Aguiniga (right) pose with their creation.

But we had other ideas. While some attendees took their pieces home, we set Amy and Tanya’s contributions free in the wilds of New York—returned to the streets from whence they came. We are firm believers in what comes around goes around.”

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